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This piece is one of the individual and functionally important parts of my stage music for the play "Bir Gül Koþusu" but not the best ( because I had to complete it in a very short period of time (just several hours!) although the principal theme was ready for one or two weeks.
I tried to combine two Turkish makam structures Bayâtî (cadencing on A) and Irák (with the finalis F# -25 cents) with a continuous bass.
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