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I couldn't fit the awkwardly shaped tune of the Scherzo into 6/8 time so my tutor suggested it might need 7 beats to the bar. As you can see, it finished up in a mixture of 7/8 and 6/8 time.
The second tune of the alternating variations was recycled from an unused wedding song I wrote for my eldest son's wedding. "Nearest and dearest I plight my trothe to thee, to love and to cherish whatever comes to be,etc,etc" - a bit more suited to a Victorian drawing room than a modern-day wedding.
The finale starts with a quotation from the opening fugue but soon moves via a recitative passage to a more user-friendly mode in standard sonata form. The little tune that rounds off the coda came to me while travelling home on leave from the R.A.F.on the London Underground in 1951.